Monday, September 21, 2009

A message from Kurt Vonnegut

"You are who you pretend to be, so be careful who you pretend to be." -Kurt Vonnegut

This means whatever you want it to mean. I just wanted to write it down so that I'd remember it.

It's easy to pretend to be something small and petty.
It's much harder to pretend to be something bigger, especially when it involves parts of your imagination and consciousness that are rarely accessed by yourself, let alone anyone else.

Tuesday, August 4, 2009

Jan. 3rd, 2009. Love.

My friend Jack, who happens to be a cat, is very sick. He has very slim chances of recovery from what is ailing him.

He is in Houston with my family - I just brought him home on Christmas day. I'm currently in New York, finishing the rest of the packing up of my things, and grabbing Jack's brother Homer to return to Houston with me once the movers come for my stuff.

Jack might be there when I get back to Houston. Jack might not be there when I get back to Houston. The waiting and not knowing is the hardest part.

I have limited experience with the death of loved ones. I'm trying my best to understand....that's why I'm writing this, I suppose.

That, and also I love Jack very much.

When situations like this happen, when people flutter in and out of our lives, my initial reaction is to ask, "Why, God? Why did you bring this person into my life only to take him away? What is the lesson I'm supposed to take away from this?"

With Jack, the only lesson I can even begin to fathom is that I needed to learn about love. Plain and simple. Jack taught me that love is easy, love is uncomplicated, and that love is definitely, definitely real.

Thank you, Jack. I believe in love. I'm really glad we met and got to love each other.

December 23rd, 2008. 16 things.

This seems to be making the rounds....
I'll give you 16 things about me you may not know (likes,dislikes,hobbies,et
c.), and I'll also tag 16 people. You're suppose to go into why you tagged the people, but, I'd prefer not to. I'll just simply say that if I tagged you, it's because I want to know more about you. After you've read about me, and my 16, why not post your own note with your 16, and tag 16 people you're curious about.

1. My funny gray cat Homer used to be named Hildy. I thought he was a girl for the first week he lived with me. I loved the name Hildy so much that it took me three months to come up with another name. Homer has also been called Elliot, Miles, Newman...and finally he became Homer after he grabbed an empty bottle of beer out of the trash and it became his favorite toy.

2. There are several Disney movies that are probably responsible for me becoming an opera singer. Sleeping Beauty (is there any question why I sing so much Russian rep? The main musical theme of this movie is Tchaikowsky), Mary Poppins (I used to cry myself to sleep over how beautiful "Feed the Birds" was), and The Little Mermaid (that was the one that made me realize that I'd be lying to myself if I grew up to do anything other than singing).

3. I'm completely obsessed with the history of France - not just the revolution of the late 1700s (although I'm obsessed with that too...when I was in the 6th grade I did a report on the french revolution complete with a miniature guillotine model which I used on a barbie that I dressed in period clothing), but all the way back to France's origins. Why are the women so effortlessly femmes fatales? Why are they even worse snobs about their language than we are? Why does everything taste better there? My friend Kelly says I'm a French-supremacist when it comes to my taste in men....she is right. They are hotter and behave like gentlemen.

4. My favorite shows are all cartoons. King of the Hill is my favorite, it reminds me of where I grew up in Texas.

5. One of my favorite places in the universe is the hill right near Miller Theater in Houston. The happiest times in my life involve rolling down that hill.

6. I lived in Jakarta, Indonesia during middle school. The first time I ever heard the term "third world country" was when I lived there. This turn of phrase makes me sick to my stomach. Third world. This is only something that people who have never been there would call it. It's ONE world. Every place in the world has something of great importance to contribute. It's up to us to erase stupid phrases like "third world" from the collective vocabulary.

7. I am obsessed with surrealist artist Renee Magritte. And surrealist filmmaker Federico Fellini. And anybody who is brave enough and individual enough to turn their dreams into something tangible and memorable. It makes me wonder if it's possible for me to do this onstage. Also, I love Michael Sowa for his surrealist art for children.

8. Sweet potato french fries from Kerby Lane in Austin, TX are my own personal ambrosia. They're a cure-all, at least for me.

9. Sometimes I make an airgun with my fingers and shoot the moon. Because I'm a lonestar. Feel free to ask more about that one....it's a quirky Abbyism.

10. My favorite opera is Richard Strauss's "Salome," and I'm going to be making my professional operatic debut in this show in March. I'm SO STOKED!

11. I try hard not to spend all my money on clothes, but it's hard. I know it's completely materialistic to obsess over one's wardrobe, but I just see fashion as a way to express myself. People often don't realize that the way they dress is a big artistic statement (or at least an opportunity for one)

12. I have never been sick of a Beatles song, NEVER. I've heard all of them eight million times but they always sound new to me every time.

13. I am terribly, terribly afflicted with wanderlust. I constantly need to change scenery.

14. My brother is the wisest person I know. I always trust his advice.

15. If I wasn't an opera singer I would be a lawyer. I grew up in law firms (single mom was a legal assistant) and I've always been really interested in the difference between the law and ethics. They are two completely different things. I would always choose to be ethical first. So I guess that means I wouldn't have been a very good lawyer.

16. I completely and unabashedly believe in love.

Dec. 12th, 2008. Dedicated to everyone who's been auditioning like mad lately.

This note is dedicated to anyone and everyone who shows up for an audition.

So, I don't know if everyone knows this or not, but this is the first year that I have consistently shown up for every single audition that I applied for. Today's audition was number 57. That's right. 57. I'm not exaggerating. I have 6 more auditions before Christmas. I'm starting to see some light at the end of the tunnel. I don't know if it's because I know that I've been cast in a couple of things - I tend to think that it's more because I've figured something out.

Before I get to the thing I figured out, though, I need to rant just a little bit. Feel free to rant in your comments, I just need to get this out of my system.

Just who the hell is ANYBODY to decide what is art and what is not? What we do, as singers, actors, instrumentalists, in the audition process, is to get up in front of a select few people and make art. Private art. Just for them. Just for a few minutes. And they get to sit there all day long, witnessing art being made. I sometimes find myself wondering if they can appreciate how awesome their jobs are. I've been blessed with a few auditions this year where the adjudicators acknowledge how lucky they are - these instances have brought me to tears. And then there are the other kinds of auditions....the ones where the adjudicators talk loudly over the music, scribble away furiously, stop you one measure before the end of your piece, make comments about how much they have a distaste for the contemporary music you offer....

So, again, just who is ANYBODY to say what is art and what is not? I mean, I MAKE art for a living and I'm not someone who can gauge this question. I honestly think my cats are just as qualified as the people I sing for.

So here's where we get to the part where I figured out a solution to the audition funk that works for me.

Oddly enough, this thought came to me as I was reading Charles Dickens' "A Tale of Two Cities." What I am about to quote isn't the happiest thing you've ever read, but it's somehow comforting to read just before I get up to sing for an audition, and I'll explain why once I finish quoting this amazing Dickens passage:

" A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. No more can I turn the leaves of this dear book that I loved, and vainly hope in time to read it all. No more can I look into the depths of this unfathomable water, wherein, as momentary lights glanced into it, I have had glimpses of buried treasure and other things submerged. It was appointed that the book should shut with a spring, for ever and for ever, when I had read but a page. It was appointed that the water should be locked in an eternal frost, when the light was playing on its surface, and I stood in ignorance on the shore. My friend is dead, my neighbor is dead, my love, the darling of my soul, is dead; it is the inexorable consolidation and perpetuation of the secret that was always in that individuality, and which I shall carry with mine to my life's end. In any of the burial-places of this city through which I pass, is there a sleeper more inscrutable than its busy inhabitants are, in their innermost personality, to me, or than I am to them?"

You see, these people that we sing for, they'll never REALLY know what goes on in our hearts. And that's why it's completely okay to walk in there and completely expose your heart to them when you sing. You'll always be a mystery to them and they'll always be a mystery to you - and that's life. All that matters is that YOU know what's in your heart.

So maybe the person/people you're singing for will see a flash of the treasure that's in your heart. Maybe they won't. Regardless, they'll never be able to capture it. It's your treasure. And don't forget that - it's TREASURE.

You only have to show up and do your best. You might fail. Failure is a hell of a lot better than mediocrity, though. This has been a hard lesson for me to learn but I wouldn't trade it for anything in the world.

Saturday, January 19, 2008

another old blog: Why I love Joseph Cornell and don't think his art is safe at all

****Just FYI....if you want to see the full images of Cornell's art, you have to click on them.****
I have been wanting to write a blog on Joseph Cornell for a while now, I just wanted to wait until I'd actually had some time to research him.

Having read a bit about him, I can safely say....I'm in love. Platonically, anyway.

Joseph Cornell spent most of his life living on Utopia Parkway in Queens with his mom and crippled brother. He was a recluse that bravely ventured out to collect the scurf of others, refuse, really, and elevated it to art.

An artist friend of mine admitted to me that he was surprised at my warm reaction to Cornell's art. "He's so safe, Abby," my friend remarked.

Well, who's to say what is safe? Joseph Cornell was such a shy man that lived such a private life that I really don't feel that his work is safe at all. His work is brave. No, there's nothing particularly sexual or violent about it....why does sex and violence equal boldness, bravery? Not that sex and violence should be discounted, I just feel that boldness is all relative.

Cornell was very passionate about what he did. To me, that is very bold, and very brave.

Cornell actually reminds me of sweet Nino Quincompoix (from Jeunet's "Amelie.") Nino collected the refuse of others, discarded photographs left under photobooths, and placed them safely in his precious album....his album of mysteries. Maybe that's why I adore Cornell, because Nino is the perfect man to me :)

Anyway. Here are a few images of his art.

This first piece is called Object (Roses des Vents). It is filled with emblems of journeys Cornell always wanted to take but never did.
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This one is Untitled (the photos are of a Medici Princess)
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This one is The Hotel Eden. I should mention that Cornell loved to use caged birds, to him they represented sublimation, memory and peace.

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Cornell had a subtle fetishism for ballerinas. Or at least the leading lady ballerinas of the day. There's something VERY ballet about this one, called Tilly Losch. Was Tilly Losch a ballerina, does anyone know?
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Finally, this is the one of Cornell's works I've actually spent time with, in person. At the Menil Collection (which I will be visiting again soon!) It is called Toward the Blue Peninsula:
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It's my feeling that WE, the viewer, are the actual art that Cornell intended. Although, again, who's to say? Regardless, safe is not the word I would use to describe Cornell....I know they are synonyms but I think the word "protected" works better. There's less negative connotation, I think. Cornell's works are protected, and the glass window separates YOU, the viewer, from the protection. Are the works really all that "safe," then? Hmmm. You tell me.

an old blog: pretty, for a fat girl.

My whole life, or at least for the length of my cognitive memory, everyone has always told me that I'm pretty, for a fat girl.

I'm sitting here today, trying my best to reconcile what that actually means.

Essentially, what it boils down to is this: I am pretty in spite of something. That I somehow am able to project myself through my layers of chubby insulation and shine through, in some kind of resplendant fashion.

I assure you, I am not pretty in spite of being fat physically. I am pretty in spite of the way that I've been treated most of my life. In spite of my cousins teasing me as a five year old for having lumpy thighs. In spite of being publicly denied cheeseburgers at family functions for years. In spite of always wanting to be held, and never holding on for fear I might crush something. In spite of always feeling like the bull in the china shop. In spite of only enjoying myself on very rare and private occasions. In spite of always feeling so judged by the general populus that at twenty-six years old I still haven't managed to develop any truly useful social skills.

Before too long, I'm not going to be physically fat anymore. I don't worry about my "pretty for a fat girl status" so much, because I know that there's something more troublesome ahead of me to deal with - even if I manage to whittle myself away into a pair of size 4 designer jeans (don't worry, it's not likely) I will always be fat on the inside. I worry about how to deal with that. I worry that my old fat self will feel betrayed; I worry that my new healthy, possibly thin self will still not know how to function socially; but then I realize that the before and the after, they're both me and not separate from each other.

Maybe "pretty" isn't in spite of anything. Maybe "beautiful" is because of something. Maybe beauty happens because we are each given a divine spark of hope, of kindness..... of grace.

While I don't profess to be any kind of beauty queen, I admit to being beautiful. And I'm promising everyone, right here and now, to continue to be so for the rest of my life through hope and kindness and grace. And not in spite of anything, but simply because it's true and I believe it.

suspended from kindergarten (or why adidas are better than maryjanes)

I tell so many people this story that it's probably time for me to write it down.

I spent the first few years of my life in a town called Morrow - population 500 or so, in south Ohio. My mother had married an alcoholic seven years prior, and three years after I came along, she knew it was time to move on. During the divorce my grandmother and cousins (who had become more like brothers) looked after me, while my mother was in the background, more like a sister than someone who spent 25 hours in labor with me. She worked a full day in downtown Cincinnati because of me, and because of her then husband - I never refer to him as my father, he was really more like a sperm donor - so I didn't see much of her. I missed her a lot as a child, and when she was finally offered a job in litigation in Houston, we both knew it was our chance to get out of that little town and make something of our lives.

The drive from Ohio to East Texas was arduous for a little girl who loved her mother dearly but barely knew her. I found myself singing most of the drive, until we stopped at Hardee's for lunch on the second day. I remember reaching up for the counter - very thirsty, really wanting my cherry coke - and being doused with scalding hot coffee. It was traumatic. But it gave my mother a chance to act like a mom and not a big sister. I didn't much feel like singing after the shock of the hot coffee all over my face, so the rest of trip home I let mom do it for me. We listened to Whitney Houston and Foreigner on the cassette deck until we reached Texas, and then I fell asleep.

When I woke up, I was lying on an air raft in our new house - apartment, rather. A few days later in dawned on me that it was going to be a while before we would have a table, or chairs, or a tv. She realized how bored I was, and decided to enroll me in nursery school rather than send me to a babysitter's. She was right - I began to form my own ideas about society at the ripe old age of four-and-a-half, and I thank God everyday that she sent me despite my protesting and crying when it actually happened. It was a financial struggle for her to pay for it, and even then I could appreciate it. I missed her horribly when I was there, though.

I spent the first day by myself, crying. The center was serving pancakes for breakfast the morning that I first arrived. I was a mess - crying in my breakfast and getting the maple syrup all over my hands and clothes (to this day, I avoid syrup on my pancakes because if my hands get sticky I will inevitably miss my mother). The next day, I played with blocks by myself. The third day, I played blocks with Matty Owens, who later became my first love. After that, Matty and I played on the seesaw and collected fuzzy caterpillars from the tree outside everyday (I used to like to bring them in and watch them crawl across the table), and when he wasn't there, I'd listen to music on the kiddie record player and spin around until I was so dizzy that I'd fall on the floor (and then get up and do it again).

Then one day, when Matty's family were on vacation for two weeks, SHE came. Pamela Sue Ryan. A name that is forever burned in the recesses of my memory.

Pamela had a collection of six Barbies. Maybe a few of them were Skippers and Midges - I'm not sure. But she had SIX. And a Barbie car, and of course a virtually tireless wardrobe for all of them. And she dressed just like them - always a pastel dress and pink pantent leather maryjanes.

And there I was, spinning around to Alvin and the Chipmunks, in my wrangler (before it was cool) jeans, white tank top, and ADIDAS (again, before RunDMC made them cool). It was only a few days before Pamela invited me over to play Barbies with her little group, but only because she couldn't find any boys to play Ken. It still amazes me how cruel little girls can be - even before the age of five, I was tormented by a popular girl. Where was Matty? When was he coming back?

My Adidas were too big for my feet. My mother and I had to do things that way because my feet were growing fast, and we didn't really have disposable income. We bought them at Academy on sale - we bought all of my clothes there. One day, just to appease Pamela, I wore my Christmas dress (in summer) to nursery school, but I didn't have pretty leather mayjanes to match. So I wore my Adidas. It was so much easier to catch caterpillars in them, anyway. Of course, Pamela made fun of me, and everyone laughed at me.

Matty came back from vacation with funny sunglasses and swimming trunks that he wore everyday, and we spent the rest of the summer playing with bugs and throwing mudballs at each other, pulling out blades of grass to see who could find the longest one and making crowns for each other out of weeds. We were King Matty and Princess Abby and we ruled the playground. Pamela was fuming. Somebody liked me more than her.

Then it was time for kindergarten. Matty lived in a different zone than I did, so I only saw him after school at daycare from then on. But Pamela lived in my zone. And, as luck would have it, we were in the same class. And I was wearing the same dirty Adidass I had been wearing all summer.

On the third day of school, it rained hard at recess. We were all soaked, and our feet were covered in mud from the playground. Our classroom floor had just been recovered with this ridiculous ABC carpet, and Miss Jones, our teacher, insisted on us taking off our shoes and leaving them in the restroom so the floor would stay clean and new. I was the last one in from the playground because I had been far off looking for caterpillars. As I was alone in the restroom, taking off my big dirty addidas, I spotted them out of the corner of my eye - the pink patent leather maryjanes. On the other side of them was a large, welcoming porcelain toilet bowl.

Thoughts began turning around in my head. I crouched over them and smiled. I took one tiny shoe, and creeped over to the toilet. I tried to imagine Pamela's face when she came back to get her shoes at the end of the day and found them in the toilet. It was truly the first time I had ever experienced rapture or bliss. So in went the first one - plop. And about to toss in the second when - OH NO! Miss Jones saw me.

In those days, Houston Independent School District still maintained a strict policy of corporal punishment, so my ass was red when I took my pink suspension slip home to my mom. She didn't say anything to me at all, except, "Would you like a new pair of shoes, Ab? Those are looking pretty muddy." And she smiled. Of course I said yes.

When we went to Academy the next day, Mom wanted to buy me a pink pair of jellies. Remember jellies? But I insisted on Adidas. They were more comfortable. When she asked why I didn't want the jellies, I told her, "Adidas are better for living, mommy. You can't catch caterpillars in the pink ones because you have to climb a tree."

It's only twenty years later that I realize I had made a social comment to my mom that day. In life, especially in American society, you can wear pretty leather shoes and play with dolls (or clothes, trust funds, magazines - whatever your poison is) and stay on the ground that you're familiar with, or you can tie up the laces of your muddy Adidas and climb your way up out of the playground to the place you're supposed to be. At age five, I was supposed to catch caterpillars. I was really good at it - it was a calling for me. At age twenty-five, I belong in New York City in a comfortable pair of shoes that I can pound the pavement with. I think I'll go buy a pair of new addidas today.

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